Tag Archives: Comparative Study

Peer into the List of Pairs

8 Aug

My list of textual pairings now offers over 210 combinations!  I have tried to craft the list so that it offers a mix between what schools might already have in the book room and texts that could be purchased to supplement existing stock.

So many pairs!

22 Jul

My list of textual pairings now exceeds 200!  I am keen for suggestions of combinations that have worked in your classrooms so that I can expand my list.

Drawing out connections between texts

8 Apr

I have just commenced a comparative study with one of my classes.  Many students in this class are a bit disengaged, preferring to have the answers given to them rather than thinking for themselves.  To address this issue, I decided to take it upon myself to build their confidence in, and capacity to, interpret texts independently.

To do this, I gave them two columns of information.  The first column included extracts from a Shakespearean text, and the second quotes from the collection of poems that was to form the comparison.  Without further information, and without the aid of Google, students had to work in pairs to read the quotes and make educated guesses about the potential points of thematic connection.

During class discussion, students them had to support their responses with evidence from the quotes.  We did this using a thinking routine called ‘what makes you say that?’  As suggested by the name, kids who gave responses unsupported by evidence where asked ‘what makes you say that?’ as a means of prompting critical and analytical engagement.

It was a really successful activity, with students teasing out all the key ideas I had planned to canvass in the unit and more.

‘A Monster Calls’ & ‘Extremely Loud and Incredibly Close’

24 Nov

I think A Monster Calls and Extremely Loud and Incredibly Close would make an interesting textual pairing.  Why?  Both texts explore the process of grieving and a young boy’s experiences as they have to navigate the world in the face of trauma.

This comparison would enable exploration of similar ideas (grieving, loss, truth) across the texts, while also inviting engagement with narrative voice and the ways in which the perspectives of children are created and communicated.

 

‘A Long Way Gone’ and ‘Freedom Writers’

16 Nov

For a while now I have been posting text pairings on my blog.  I tend to update it once I read or watch something new, hoping that one day I can draw from the list and teach something really exciting, engaging and thought-provoking.

I wanted to take some time out from adding to the list, instead explaining why I think particular texts would work well together.  Some of these options I have tried in my own classroom, others I aspire to teach one day but have not yet had to right class with which to test them.  I hope by explaining my thought process other teachers may have the right class with which to take the leap and might be inspired to try something new.

A Long Way Gone  is the autobiography of Ishmael Beah, a former child soldier from Sierra Leone.  This book explores mature content but in a reasonably accessible way, making it the perfect choice for a mainstream Year 10 class.

Freedom Writers is a film that explores the power of relationships both within and outside of gang culture.  It highlights the role of education and strong relations to change the trajectory of lives.  Again, the content is mature but the presentation is accessible, making it a good film to pair with A Long Way Gone.

You could engage with both the texts around the idea of relationships and the forces that inspire/compel loyalty.  It would interesting to make comparisons between the experiences of child soldiers and those of gang members.  This particular comparison also enables meaningful engagement with notions of innocence and responsibility as well as charting courses towards redemption in various forms.

Exciting new pairings!

23 Oct

My list of suggested textual pairings now includes over 140 options!

I have tried to incorporate texts that schools may have already, pairing them with new options to renew student and teacher interest.

I have also incorporated some texts that may not be classroom staples but, in my view, should be!

If you have any additional suggestions, or have tried some of these options in your classroom, please let me know!

Monsters

21 Sep

I have recently re-read A Monster Calls and, as a result, I can’t get thoughts of monsters out my head!  In particular, I cannot stop thinking about a unit about personal, social and political monsters in which A Monster Calls keeps company with FrankensteinThe Strange Case of Dr Jekyll and Mr Hyde and maybe even ‘Monsters‘ by Poetri.

As suggested by the unit title, the unit would examine monsters in various manifestations, viewing them as vehicles for personal, social and political commentary.

‘New Boy’

2 Sep

I have just finished reading Tracy Chevalier’s novel New Boy, it is an appropriation of Othello and part of the Hogarth Shakespeare series that also includes Margaret Atwood’s Hag-Seed.

Like OthelloNew Boy explores jealousy, manipulation and choices that cannot be unmade.  Interestingly, New Boy sets the action in a school playground, perhaps alluding to the notion that the manipulation engineered by Ian (the Iago character) is just another childish game.  This setting also allows the easy manipulation of Oesi (the Othello character) to seem more plausible; it makes more sense to me that a child, rather than an adult soldier, may not have the resilience or savvy to withstand the tactics of a manipulator.

Another interesting choice made by the author is the title.  Unlike Shakespeare who named his text directly after his protagonist, Chevalier has chosen to title hers New Boy,  I think this raises some interesting questions:  Does using the protagonist’s name honour  the protagonist or publicly call out his conduct? Is referencing a status rather than a name a statement of universal applicability or does it buy in to the very prejudice that is described in the text?  Do these choices honour victims or name perpetrators?  Why does the manipulator not have his name or his title plastered across the front of the cover?

I think New Boy could be a really interesting text to teach alongside Othello in Year 11 Advanced, perhaps functioning as a precursor to an HSC study of The Tempest and Hag-Seed.

 

‘Viceroy’s House’

11 Jun

I recently watched Viceroy’s House, a film about the transition of British India to independence.  The film was beautifully made, utilising the difficulties of a love between a Hindu (Jeet Kumar) and Muslim (Aalia Noor) to represent the divisions in a nation that will need to be partitioned in order to realise dreams of independence.

I think the film could be an interesting partner for a study of Shakespeare’s Romeo & Juliet.  This pairing would be a particularly useful way of exploring how the relationship between protagonists illuminates broader social tensions.

It would also be a good related text for Year 11 AOS Journeys or Change.  In both instances, students would be able to analyse the experiences of characters and then connect this to journeys or change on a national scale.

‘Hag-Seed’

28 May

I recently read Margaret Atwood’s Hag-Seed.

Initially, I wasn’t hugely impressed as it seemed like an unimaginative adaptation of The Tempest; like Prospero, the protagonist (Felix) was usurped and experienced a period of exile, albeit from directing plays.

However, as I continued to read I found myself getting sucked in.  Particularly interesting was Atwood’s emphasis on notions of imprisonment; Prospero is imprisoned on the island, Caliban is imprisoned by Prospero and the protagonist of Hag-Seed is imprisoned by the past.  I do think this notion was laboured a tad by setting Felix’s path as directing plays for prisoners.

I was also intrigued by Atwood’s representation of Miranda (Prospero’s daughter in the play, and Felix’s daughter in the book).  Unlike in the play, where Miranda is very much alive, in the novel she begins as a memory and them begins to assume ghostly form.  This was reasonably effective as a metaphor for representing the haunting spectre of the past, and the way in which the past informs present action.

Overall, I am not sure I loved Hag-Seed as a novel.  However, as a companion to The Tempest (as it will be in the new HSC) it does, definitely, have merit.